acrylic, canvas, 70 x 70 cm, signed l.d.: David Pataraia
David Pataraia
I come from the small Georgian village of Kwemo Chibati. My grandfather, Markiane Pataraia, was the
the oldest shepherd in all of Georgia. He grazed cows and sheep on mountain slopes far away
from the Black Sea coast, where the ancient Colchis once lay. The father, with his
exquisitely maintained truck transported tea to town. Mother picked the tea leaves
tea, took care of the house and garden. Brother, has his own family. No one at home was interested in
art - except for his grandfather, who carved beautiful spoons from cherry wood.
Once in kindergarten, the teachers noticed that my circles were unusually symmetrical,
I quickly realized that I could exchange circles for kisses with the girls. So deftly
I redrew animals from books that relatives began to call me "Leonardo"
, i
because of this, they constantly playfully patted me on the head, which I sincerely hated. This
incident caused a resolution to be born deep in my heart: "I vow
myself to be a better painter than the irrepressible Leonardo" - about whom I still knew nothing at the time
I knew.
My first serious work, done at the age of thirteen, was a painting of my mother's
of my mother's metal pot. The art club at the local community center, was
led by Mr. Tamazi Chkhaidze - a sculptor. It was he who mobilized my parents
to send me to art school. Later in Tbilisi, I graduated from an art school
named after Jakob Nikoladze, and in parallel I got into the Academy of Fine Arts at the faculty of
Graphic Arts, also in Tbilisi. After my first year of study, in 1991, completely by
by accident, I went to Poland with a group of blue-collar workers. I was supposed to be there for two months,
and I stayed, until today. Now I live in Warsaw , have a wife and children .
David Pataraia
About the artist : was born in Georgia in 1971; has lived and worked in Poland for 24 years. He studied at the Academy of Fine Arts in
Tbilisi , he continued his studies at the Academy of Fine Arts in Warsaw, Poznan and Krakow. In his achievements he has
dozens of exhibitions including individual and collective ones and his works are in the homes of
collectors around the world. David Pataraia is an artist endowed with exceptional sensitivity and
imagination. His work is characterized by extraordinary diversity. In addition to colorful works dedicated
children, you will also find: nudes, abstractions, paintings with the image of a bull and a rooster as well as
works that relate in subject matter to the traditions and culture in which he grew up. David Pataraia is also an outstanding
portraitist. Among the wealth of subjects covered by him, we can easily find a common
denominator. All works are characterized by a wealth of color, saturated, intense colors thanks to the
which the artist infects us with his optimism. Looking at them, we smile in spite of ourselves.
1In the reality created by David, the viewer and the work enter into a very close, personal
contact. It's difficult to keep our distance when the artist himself invites us to join in the fun and experience.
The artist uses not only different techniques, but also materials. Using wood, metal or plastic
he creates 3D paintings. This combination of different textures and raw materials allows us to "touch" the reality
created by the artist.
Wife (Katarzyna Królikowska-Pataraia)
Biography
Born on 6.05.1971 in Lanchchuti Kwemo Chibati, Georgia. He graduated from the secondary school of arts
Visual Arts named after Jakob Nikoladze in Tbilisi. In Georgia, he studied at the Faculty of Graphic Arts under the
under the direction of Prof. David Uruhadze, Gogi Cereteli and Tamazi Chhaidze. He continued his studies in Poland
at the faculties of graphic design (Warsaw) and painting (Poznan, Krakow).
Exhibitions:
1990. - Illustration of the book "Fantomass ", translation in Georgian .
1991. - Animation project for the program "Variants " Warsaw.
1991. - Gallery on the Circle, Warsaw.
1992. - Gallery on the Circle, Warsaw/cycle of paintings inspired by H. Purcell's play "Dido
and Aeneas"/.
1992. - Museum at Will " exotic Georgians " Warsaw .
1993. - Entered the Faculty of Graphic Arts at the Academy of Fine Arts in Warsaw (only for 1 year).
1993. - Series of drawings inspired by the opera " King Ubu" by Krzysztof Penderecki.
1993. - Artistic scholarship from the St. Batory Foundation in Warsaw.
1993. - Museum of Independence, Warsaw
1993. - Author of the poster for Shakespeare's " midsummer night's dream" / New Theatre / Warsaw.
1994/1995. - Faculty of painting at the Academy of Fine Arts in Poznan
1994. -Gallery in Tarnowskie Góry
1994. - Powszechny Theater, Warsaw
1994. - EPEO museum, Nocara province of Cosenca, Italy.
1995. - Grand Theater in Poznan interpretation of drawings " Tasso and Servantes".
1996 year.- Arka gallery, Warsaw
1997/98 year. - Academy of Fine Arts in Cracow one semester painting department
1997 year .-Gallery on the Circle, Warsaw/portraits/.
1997 year. -Individual exhibition in the house of Michael Bristiger at the meeting with Krzysztof Meyer.
1998. - Poster " King Lear" by Shakespeare /New Theater/ Warsaw.
1998. - Arka gallery, Warsaw
1998 year.- Wilcza gallery 22 Warsaw.
1999/2000 year. - ran the Author's Gallery "Atelier D&G" in Warsaw.
1999/2004 year. - School of drawing in Warsaw
2000 year. - Wierzynek restaurant in Cracow
2000. - Millart Gallery "Giełda/ Praga/ Warsaw.
2001. - Arka Gallery, Warsaw
2004. - Gallery Piękny Świat, Warsaw "Footsteps of fantasy".
2004. - Oslo, Norway.
22005 year.- Museum of Contemporary Art , show Portrait of Akhmatova, Warsaw.
2005. - Wola Park, Warsaw
2006. - Luxfera Gallery, Warsaw
2007. - M25 club, Warsaw
2008. - Abdank Poland Foundation, Warsaw
2008. - University of Warsaw
2008. - University of Warsaw , show Portrait of St. Gregory Peradze
2009. - Exhibition of the University of St. Grz. Peradze in Ttbilisi
2010 year.- Klitka Gallery in Warsaw - "Here I, there you".
2011/2013 year. - Led the Art Studio " Czibateli" in Koneser in Warsaw.
Thanks to the support of Hubert Sylvester
2012. - Individual exhibition at Dorum Art in Koneser Warsaw.
2011 year.- Symfonia Warsovia /De Muzyka - "Passenger " according to the film by Andrzej Munk Warsaw.
2012. - Continent Warsaw
2012.- Polish Jazz Union Warsaw.
2012. - Night of Prague
2012. - "Meetings with Georgia " Artistic colony Piaseczno.
2011/2012/2013 - Night of the Museums (Czibateli studio).
2013 year.- ArtPistols Gallery Warsaw.
2013. -GWP in Warsaw- charity auction/exhibition ( The painting "hossa" was sold for
25000 PLN )
2013. - Artistic colony Piaseczno
2013 year.- Laboratory stage of the Museum of Contemporary Art "Lorca".
2013 year.- Sofitel Hotel- charity auction / with exhibition . (The painting was sold for 25000 zlotys).
2014. - Art Pistols gallery warsaw
2014 year.-WSE in Warsaw ( Individual exhibition).
2014 year.-Hotel Marriott - auction (Paintings reached prices of 25000 zlotys. And 12000 zlotys).
2015 year .-Events of Restaurant Cranberry charity exhibition.
2015 .-Museum night open David Pataraia Gallery Warsaw.
2015. - Warsaw University -Charity auction help for flood victims from Georgia.
2015. - Belotto Gallery, Warsaw
2015. - Sinus sports club, Zawady Warsaw
2015. - Gallery 87, Lodz,
2015 . -Kokabura Gallery, Lodz, Poland.
2015. - 11 months ran the author's Gallery, "David Pataraia Gallery" Warsaw, Poland.
"The One Who Lives Between the Dot and the Blur".
In a certain world that existed between a palette and a dream, someone was born who did not have a single character. Not because he was lost - but because he was too aware of what he could be. People in this world wore labels like passports. Some were "Sculptor," others "Philosopher," and still others "Athlete," "Mother," "IT Worker." But He... did not want to be one. They told him:
- Take your pick. Paint the same thing. Write in one style. Get organized, because the world doesn't like fuzziness.
And he replied:
- But after all, out of focus is where you can breathe.
He was like a light that does not want to fall on one object, but prefers to float between, tickling the edges. He was like an embryo of emotion that has not yet decided whether it will be anger or ecstasy. He was like a painting that didn't fit in the frame, and therefore became a corridor. So he began to create. Not art - but states of being. Not for recognition, but for those who don't know who they are either. Into his world came those who felt they were too much, too broad, too diverse.
They didn't fit into the resume, they didn't fit into the system, they had too many colors in them that fought for space on the canvas.
Dato - for that was his name - was just telling them: - You can be everything, but you don't have to be everything at once. You can be nobody, but not always, either. And the most beautiful things happen when no one is looking, and you create anyway. In time, he didn't need to sign paintings. People knew it was Him - by how they felt. Not by the style, not by the color, but by the fact that something inside them began to breathe where it had previously been compressed. And then they understood:
He doesn't create for survival. He creates to remind us that survival is not enough.
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