oil on canvas, 40 x 60 cm, sign.p.d A.Wąsikiewicz
Member of the Association of Polish Artistsin Warsaw Branch in Torun since 2011 .She is the author of 19 solo exhibitions, organizer of plein-air painting and sculpting .She has participated in more than 74 exhibitions and 45 plein-air and in many competitions.
Participation and awards of distinction in many competitions. She is a winner of prizes and awards. Her works are in galleries in the country and abroad.Her fascination with painting is the result of a special personal passion. Passion, however, built on the classical principles of painting, understood in the concept of not so much academic as precisely post-impressionist, and perhaps even fauvist. Landscapes, the most important in Ms. Anna's work, are created mainly in the open air. On the one hand; they are an authentic reflection of the emotional states of their creator (Anna treating the world seriously - at the same time subjecting it to subjective, even introverted assessment and interpretation), on the other; they are evidence of delight in the moment, the transience of the landscape: the changeability of light, the color of the seasons, the time of day. A very important role is played in these paintings by Skies!
But also the elements, the structural nature of the landscape. Paintings built most often with a tool different from the brush - spatula pulsate with matter, which in itself can be a miniature landscape," landscape abstraction. Because Anna, too, is already often approaching classical abstraction in her canvases . In one painting, the colors of the sky and the earth are naturally assigned to the time of day, the year, and in another just the opposite: they contradict the empirical logic of landscape. For the painter is at this point no longer - like the Impressionists; a painting analyst studying and recording the changes occurring in nature - shebecomes a seeker of the personal moment of tension in the painting, or as she says; " a builder of the image of the world necessary for creative imagination" .
