oil, canvas, 52.5 × 63.5 cm
Signed p. d.: "Mondzain"
Provenance:
- Collection of Ursula and Piotr Hofman
Exhibited:
- "Szymon Mondzain and the École de Paris. Polish avant-garde painting of the second half of the 20th century. Collection of Ursula and Piotr Hofman", 22.02.2015-22.04.2015, Abbotsford Palace - Department of Modern Art of the National Museum in Gdansk
- "Between Montmartre and Montparnasse. Works of artists from Polish lands, active in Paris in 1900-1939, from private collections", 24.06.2017-15.10.2017, Silesian Museum, Katowice
Reproduced:
- "Collection of Ursula and Piotr Hofman," ed. U. Hofman, Warsaw, 2018, p. 10
"Each landscape by Simon Mondzain testifies to the artist's ferocious struggle to achieve a balance between his inner vision and reality. The result is a dazzling series of light-saturated views (...) faithful to the painterly methods of the Impressionists, he works in the open air. Here he is interested in a fragment of the landscape, which, thanks to its structure, constitutes a unified whole. Such a landscape became a point of reference for him and allowed him to present himself as a colorist. Nature, like a compass, will henceforth indicate the rhythm of his activities." W. George, Simon Mondzain, "L'Amour de l'art." 1923, no. 9, pp. 688-690
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