Dimensions: 40 x 59.5 cm (in light passe-partout)
Inscribed on the plate at the bottom: 'Veduta dell' avanzo del Castello, che prendendo una porzione dell' Acqua Giulia dal Condotto principale, parte ne diffondeva in una magnifica fontana che gli era aderente, e decorata da M. Agrippa fra gli altri ornamenti de' Trofei d' Augusto che ora si vedono sul Campidoglio; e parte ne tramandava per via di Fistole sul Monte Celio'. Bottom right: 'Presso l'Autore a Strada Felice nel Palazzo Tomati vicino alla Trinità de' monti. A paoli due e mezzo' and 'Piranesi Architetto fec.'
Condition
framed
Literature
Hind 34.III
Biography
Italian graphic designer and architect. He studied in Venice, from where he traveled to Naples, Herculaneum and Pompeii for study. From 1745 he was active in Rome. His architectural works include the reconstruction of the church of S. Maria del Priorato (1765) and the villa of the Order of the Cavaliers of Malta in Rome. Piranesi's most important field of activity was his studies of architecture and ancient art (especially of Rome), supported by his numerous travels, architectural research, measurements and drawings, which resulted in a very large number (more than 2,000) of graphic works (etchings, copper engravings), depicting views of ancient buildings, archaeological finds and architectural fantasies. In his engravings, Piranesi presented an evocative vision of ancient Roman architecture, in which, while maintaining fidelity to detail, he created synthetic views of ancient buildings, exaggerating them in striking perspective shots and dramatizing them through the use of strong chiaroscuro contrasts. Piranesi's engravings gained great popularity, influencing the spread of antiquity and the formation of classicism.
